Page 31 - Kol Bogrei Habonim - January 19
P. 31

what was the purpose - he knew perfectly well,          crossing borders in Europe daily, carrying huge
        what the case contained. Nevertheless, he was           amounts of money and forged passports, for the
        insistent and so I opened the case... and to his        Jewish underground movement. Jail was the least
        obvious dismay and mine, all the tubes of paint,        of their worries; their lives were literally at stake.
        large and small, together with brushes of every         Now I refer to my efforts in this grey area of
        size and my palette, flew into the roadway. It must     spooks. They concerned a shaliach, Rafi Thon.
        have been a hilarious sight to see the burly            Rafi was born in Palestine and was previously a
        sergeant and me desperately trying to retrieve the      member of Kibbutz Maoz. At the Northampton
        whole shebang, while trying to avoid being run-         Seminar, he had lectured to us on the Arabs of
        over.
                                                                Palestine and our land-purchase there, from
        “The police, however, were actually not entirely        knowing much about the subject from his father,
        ignorant of the Movement’s clandestine activities.      who was one of the foremost Jewish land-buying
        The police had placed Habonim and Hechalutz             agents in Palestine. One day Rafi Thon gave me
        offices under surveillance. Shmuel Hatzor and the       instructions, which were very hush-hush. In some
        shlichim were frequently aware of being followed        part of London, I was to meet a Jewish taxi driver
        by detectives, who on more than one occasion            - every taxi driver in London seemed to be of the
        intimated that they knew of the illegal activities of   Jewish faith and without exception, a convinced
        the Movement.”.... “Issy Devons (then head of           Zionist. I was told that he would drive me to one
        Hechalutz), claimed that ... the police ... explicitly   or two chemist shops, distanced well away from
        stated their sympathy for the group’s desire to         each other. At these chemist’s, with due
        immigrate to Palestine, (and) proved that the           precaution whatever that was, I was to try to
        police were fully aware what was going on. It           purchase a role of “Velox” film - or any other
        seems that as long as the Press did not publish the     make of film - if I could. In those days, everything
        story, the British authorities preferred to ignore      or nearly everything was still rationed. After each
        what was a potentially embarrassing situation”.         purchase or not, I was to change taxis and repeat
        (See “The History of Habonim 1929-1955”).               the same procedure - over, and over again,
                                                                throughout the day. Only then, was I to continue
        Acknowledged as an artist in early 1947, it was
        assumed that I knew everything about                    to the next phase.
        photography. Actually, the extent of my                 Late in the night, I recall, it was dark and raining
        knowledge was the ability to place my eye at the        (it usually is), I was taken to an underground
        right aperture on a Kodak box camera. Issy              basement that contained a camera on a tripod. An
        Devons and Rafi Thon, a shaliach who was then           old gentleman showed me how to focus the
        head of Haganah in the UK, recruited me, without        camera on pages of a military weapons-manual
        being given the possibility of saying yay or nay.       held down on a table by large spring clips. After
        This is how it was in those days - the Movement         the first weapons-manual of some ten pages, I was
        was sacrosanct! One accepted everything one was         to photograph an even thicker one. The films were
        asked to do and thought it a privilege and an           developed and sent to the Haganah in Palestine.
        honour to be chosen. In addition, if I sound            Leila Pearlman was one of those who carried a
        flippant now, it was not the case in my Movement        film in a talcum tin. After a few months, I was
        days. I realize now in hindsight, how truly             relieved of this “spooky” business.
        dangerous the job was.
                                                                This period of my Movement work, from 1946,
        If I had known that other chaverim were                 until Gussie and I went on Aliya in October 1949,
        undertaking much more dangerous assignments,            was most dramatic - with at least 100 chaverim
        perhaps I would have been less apprehensive. For        leaving on Aliya Bet (most of them landing up in
        instance, Joe Rifkind and Levi Genislav were            the British camps in Cyprus); the White Paper; the


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